This tutorial is a synthesis tutorial shared by foreign masters. The tutorial is not difficult to make. It mainly focuses on the blending and color matching of materials. It is suitable for novice synthesisers to learn. I would like to share it with everyone.
Final effect
At this stage, this part of the tutorial is suitable for junior designers. It is simple and crude, and the effect is obvious. You can quickly master the synthesis ideas. Don’t be in a hurry to thank me. Let’s finish it.
There is never a shortage of materials. It is recommended that you organize your materials in a folder that can be found. It is best to shoot the materials yourself.
Material download: http://www.16xx8.com/photoshop/sucai/2016/w93299.html
1. Create a background layer.
1\Create a new canvas of 1920X1280PX, 72DPI.
2. Drag the cloud material into the canvas, adjust its size and position, and use the Mask tool to blur the edges and blend it with the sky material.
3. Bring the sky material closer to the screen, adjust its size and position, and use mask and gradient tools to blend it with the cloud material.
4. If you look at the picture above, you can see at a glance that the tones are not harmonious. Use the color balance tool to adjust the color tone of the cloud material to be consistent with the sky material.
5. Is the background layer completed? It still feels a bit awkward. Yes, that’s right. The color tone at the junction between the clouds and the sky is not in line with the convention. To be precise, it’s not correct. Use the eyedropper tool to absorb the color of the sky and add it with a solid color to ensure the harmony of the picture.
2. Add tree elements.
1. Bring the PNG tree element closer to the screen. Don’t ask me where the material comes from. There is a tool called Du Niang, which is said to be pregnant. Let’s get back to the topic, adjust the size and position of the tree, and use the mask tool to hide its roots in the clouds to create a dreamy feel.
2. The tree element in the picture is obviously not consistent with the tone of the picture, so use the hue and saturation tool to adjust the hue of the tree to a warm color, and use the color balance tool to adjust the hue of the tree to be consistent with the tone of the picture.
3. Carefully observe the light and shadow of the tree and there are still some problems. According to the source of the light source, absorb the hue of the sky, create a new layer to draw the bright area, and set the color mode to soft light.
3. Add a boat.
1. The boat element is a PNG, drag it directly into the screen, and use the mask tool to blend the bottom of the boat into the clouds to make it consistent with common sense.
2. Use 50% neutral gray to adjust the light and shadow of the boat to create its three-dimensional effect while ensuring the uniformity of light.
3. At this point, it seems that the lightness and darkness of the boat is too bright compared with the dark side of the clouds. Use a curve to darken the lightness of the light side of the boat appropriately to make it consistent with the dark side of the clouds.
4. After adjusting the light and shadow, use color balance and hue saturation to adjust the hue of the boat to be consistent with the picture. At the same time, adjust the hue saturation not to be too high.
5. Finally, the light and shadow of the boat seem too dull. Add inner shadow in the added layer style to appropriately increase the transparency of the boat, which acts as the boat’s glow, making it more dreamy and three-dimensional.
4. Add models.
1. Cut out the model and add it to the picture, place it at the stern of the boat, and use the mask tool to make it feel like sitting on the boat. (Be sure to pay attention here to adjust the size of the model to match the actual situation, not too large or too small.)
2. The model in the picture is too bright. Use the curve to adjust the model to be darker.
3. Look at the model like this. The dark side is fine, but the bright side is too dark, making the whole body darker. Use neutral gray to adjust the contrast between light and dark.
4. The overall light and shadow adjustment is completed. Now the model’s tone is cooler. Use the color balance tool to adjust it to be consistent with the picture.
5. Finally, use the inner shadow tool to enhance the highlights.
5. The addition of seagulls.
1. To add the seagull, you mainly use the color balance tool to adjust it to match the tone of the picture, so I won’t go into details here. Look directly at the effects and parameters.
6. Add petals as a foil.
Add the petals, use a mask to adjust their density, and adjust their saturation. Because it is in the front, the saturation is relatively high.
7. Final effect adjustment.
1. Darken the surrounding area to create a sense of depth in the image.
2. Use the gradient fill tool to adjust the color tone of the picture to keep it uniform.
3. Use the color levels to adjust the dark side to be bluish and sharpen the manuscript.
Final effect:
The above is the synthesis tutorial of the sea of clouds scene. I believe anyone who studies seriously can learn it.
This tutorial is a synthesis tutorial shared by foreign masters. The tutorial is not difficult to make. It mainly focuses on the blending and color matching of materials. It is suitable for novice synthesisers to learn. I would like to share it with everyone.
Final effect
At this stage, this part of the tutorial is suitable for junior designers. It is simple and crude, and the effect is obvious. You can quickly master the synthesis ideas. Don’t be in a hurry to thank me. Let’s finish it.
There is never a shortage of materials. It is recommended that you organize your materials in a folder that can be found. It is best to shoot the materials yourself.
Material download: http://www.16xx8.com/photoshop/sucai/2016/w93299.html
1. Create a background layer.
1\Create a new canvas of 1920X1280PX, 72DPI.
2. Drag the cloud material into the canvas, adjust its size and position, and use the Mask tool to blur the edges and blend it with the sky material.
3. Bring the sky material closer to the screen, adjust its size and position, and use mask and gradient tools to blend it with the cloud material.
4. If you look at the picture above, you can see at a glance that the tones are not harmonious. Use the color balance tool to adjust the color tone of the cloud material to be consistent with the sky material.
5. Is the background layer completed? It still feels a bit awkward. Yes, that’s right. The color tone at the junction between the clouds and the sky is not in line with the convention. To be precise, it’s not correct. Use the eyedropper tool to absorb the color of the sky and add it with a solid color to ensure the harmony of the picture.
2. Add tree elements.
1. Bring the PNG tree element closer to the screen. Don’t ask me where the material comes from. There is a tool called Du Niang, which is said to be pregnant. Let’s get back to the topic, adjust the size and position of the tree, and use the mask tool to hide its roots in the clouds to create a dreamy feel.
2. The tree element in the picture is obviously not consistent with the tone of the picture, so use the hue and saturation tool to adjust the hue of the tree to a warm color, and use the color balance tool to adjust the hue of the tree to be consistent with the tone of the picture.
3. Carefully observe the light and shadow of the tree and there are still some problems. According to the source of the light source, absorb the hue of the sky, create a new layer to draw the bright area, and set the color mode to soft light.
3. Add a boat.
1. The boat element is a PNG, drag it directly into the screen, and use the mask tool to blend the bottom of the boat into the clouds to make it consistent with common sense.
2. Use 50% neutral gray to adjust the light and shadow of the boat to create its three-dimensional effect while ensuring the uniformity of light.
3. At this point, it seems that the lightness and darkness of the boat is too bright compared with the dark side of the clouds. Use a curve to darken the lightness of the light side of the boat appropriately to make it consistent with the dark side of the clouds.
4. After adjusting the light and shadow, use color balance and hue saturation to adjust the hue of the boat to be consistent with the picture. At the same time, adjust the hue saturation not to be too high.
5. Finally, the light and shadow of the boat seem too dull. Add inner shadow in the added layer style to appropriately increase the transparency of the boat, which acts as the boat’s glow, making it more dreamy and three-dimensional.
4. Add models.
1. Cut out the model and add it to the picture, place it at the stern of the boat, and use the mask tool to make it feel like sitting on the boat. (Be sure to pay attention here to adjust the size of the model to match the actual situation, not too large or too small.)
2. The model in the picture is too bright. Use the curve to adjust the model to be darker.
3. Look at the model like this. The dark side is fine, but the bright side is too dark, making the whole body darker. Use neutral gray to adjust its brightness.�Compare.
4. The overall light and shadow adjustment is completed. Now the model’s tone is cooler. Use the color balance tool to adjust it to be consistent with the picture.
5. Finally, use the inner shadow tool to enhance the highlights.
5. The addition of seagulls.
1. To add the seagull, you mainly use the color balance tool to adjust it to match the tone of the picture, so I won’t go into details here. Look directly at the effects and parameters.
6. Add petals as a foil.
Add the petals, use a mask to adjust their density, and adjust their saturation. Because it is in the front, the saturation is relatively high.
7. Final effect adjustment.
1. Darken the surrounding area to create a sense of depth in the image.
2. Use the gradient fill tool to adjust the color tone of the picture to keep it uniform.
3. Use the color levels to adjust the dark side to be bluish and sharpen the manuscript.
Final effect:
The above is the synthesis tutorial of the sea of clouds scene. I believe anyone who studies seriously can learn it.
微信扫一扫打赏
支付宝扫一扫打赏
